It’s November, everybody. Do you know what that means? ONE MONTH UNTIL CHRISTMAS CLAIRE MAKES HER 2017 DEBUT.
As I started putting together this month’s recap, I caught myself thinking, ‘The best thing about October is that it’s nearly Christmas’. Which, of course, it isn’t really. But it’s close enough. *clears space for Christmas tree, dusts off Michael Buble CD*
Despite it being preeeetty scary that another year is almost gone, the last few months of the year are still my absolute favourite time. It’s warm, it’s festive, and I get to eat heaps and buy/make presents for people – two of my most beloved pastimes.
So on the one hand, holycraphowistheyearalmostoverwtf; but on the other… Bring it on.
What I’ve written
Well, being November again, it’s NaNoWriMo season… And while I did toy with the idea of prepping throughout October for another NaNo attempt, it didn’t really eventuate.
I did a bit of plot reworking and brainstorming here and there, but it actually ended up making me feel more scared of my book than I had been before (if that’s possible). It had me questioning the very concepts at the centre of my story, wondering if they made sense, if they would ever actually work.
I keep coming back to this post by K. M. Weiland, which asks questions about the concept of your novel such as ‘Are you passionate about this idea?’ and ‘Are you doing this idea justice?’. I keep trying to determine the answers, to work out whether my whole story idea is even worth pursuing at all.
There were some interesting insights about creative ideas in one of my October reads (see below), but ultimately, I can’t answer those kinds of questions – not right now, at least. But the more I think about it, the more I realise that in order to start writing again, the only thing I can do is stop asking those kinds of questions at all.
I REALLY need to get my mind to accept the fact that it’s near impossible to be 100% sure of every aspect of a story before you write it. Plotting and planning is one thing; paralysing yourself with doubt, uncertainty and fear is another.
Anyway. I’ve recently picked up a little more freelance work, which is super wonderful, so at the moment, I’ve decided to give myself permission to focus 100% on that. To allow myself to not have the shadow of ‘what-about-your-book-shouldn’t-you-be-writing’ hanging over me. And I feel a lot better for it.
But it doesn’t mean I’ve given up; not yet.
Anyway! I’ve still been warbling away as usual over at Writer’s Edit – this month with a couple of bits of freelancer advice:
- Dos and Don’ts For Pitching Freelance Articles
- 7 Ways to Stay Productive When Freelance Works Slows Down
What I’ve read
After last month‘s fun yet unsuccessful experiment in keeping my reviews short and succinct, I’ve decided to revert back to my original ‘What I’ve read’ format.
Apparently I’m still two books behind on my Goodreads challenge even after dropping my end goal (WOT), so I should really use the time I’m saving with these shorter reviews to catch the hell up on some reading…
(Although, let’s be real, between Stranger Things, Mindhunter, Outlander, Victoria, Mr Robot and the upcoming Alias Grace, TV kinda OWNS me at the moment. [Did you guys SEE that new season of Stranger Things? MY HEAAAAART.])
Anyway – here are October’s reads!
The Fifth Season by N. K. Jemisin
N. K. Jemisin is a huge name in the SFF world, so I’d had The Fifth Season on my list for quite a while. While I didn’t click with it enormously, in that I don’t feel super compelled to read the next instalment in the series, there was a lot I really enjoyed about it.
The writing was great – refreshing and different, and the use of different perspectives (even one in second person, which is extremely unusual to see) was super effective. When I realised how all the perspectives came together, I was v. impressed, and it added another layer of interest to the whole story.
And the story itself was great too. I enjoyed the world, the magic system, the post-apocalyptic feel (or apocalypse-in-progress, really). It’s one of those books where, when you first start out, there are a whole bunch of new made-up words and names and it feels a bit hard to keep up; but once you get the hang of it, it’s all good.
Actually, you know what? The more I think about it, the more I appreciate it. I think I will read that second book someday – might not be super soon, but I’m sure I’ll enjoy it when I do.
Now I Rise by Kiersten White
Well, I loooooved Now I Rise, the second book in Kiersten White’s Conqueror’s Saga. When I started reading the first volume And I Darken last year, I wasn’t sure if I liked it or not. But as I kept reading, I realised there was something about it that kept me compelled and made it hard to put down.
By the end, I was all in for this gender-flipped YA alternative history series, and I’m even more in after Now I Rise. (For those who don’t know, the series recasts historical figure Vlad the Impaler as a teenage girl; as such, it’s dark and angsty and really great.)
I smashed this second volume out over a weekend and it was a joy to read. The political and historical elements are so well-done and intriguing, and the characters are rich and wonderful. Lada is a top-shelf bad bitch (if not a little frustratingly stubborn), Radu is absolutely precious (if not a little frustratingly lovesick), and I just want them both to be happy plz.
Can’t wait for the final instalment next year!
Godblind by Anna Stephens
I’m not really sure how I felt about this one. On the one hand, it had me interested enough to keep turning pages pretty quickly for the majority; on the other, I don’t think I’ll be reading the next one in the series. And I think there are a few reasons for this.
Firstly, there are soooo many POV characters, each with very short chapters. This means you don’t really get to know any of them super well, or get the chance to get behind any of them particularly strongly – I know I didn’t care about any of them as much as, say, Lada and Radu from Now I Rise.
I also lost enjoyment through the final act of the book, which is made up of multiple action/battle scenes, one after the other, constantly switching perspectives throughout. To be honest, I got a bit bored and weary there, when really it should have been the most page-turning, exciting part of the book.
There are a few other things I could discuss, but that’ll do – suffice to say this series probably isn’t for me, but if you like brutal grimdark fantasy, you should definitely give it a go!
Big Magic by Elizabeth Gilbert
I’ve been meaning to read this one for ages now, and it fit in well with my new goal of reading at least one non-fiction book per month (a goal I have just devised at this very moment, and at which I expect to fail spectacularly). I saw mentions of Elizabeth Gilbert’s treatise on creative living everywhere when it first came out, and despite the mixed reviews I’ve seen since, I was still keen to get my hands on it.
I’ve never read anything by Gilbert before (no, not even Eat, Pray, Love), so I wasn’t sure what to expect. I found this a bit of a mixed bag. To be clear – I really enjoyed Big Magic, and devoured it in a few short sessions. But it didn’t outlay anything particularly groundbreaking, and I wasn’t sure how I felt about a few of her stances on creativity.
However, there was definitely some useful and affirming stuff in here. I particularly enjoyed the concept of paradoxical thinking in regards to creativity:
Creativity is sacred, and it is not sacred.
What we make matters enormously, and it doesn’t matter at all.
This sort of paradox, along with Gilbert’s motto of persistence, is something that I think would really help me in my own creativity. Despite it getting a little too occult-y at times, there are definitely some helpful and inspiring takeaways in this book, and I’m glad I read it.
That’s all for the moment, lords and ladies. Wishing you a wonderful November – I hope it’s full of far-too-early festive treats. <3